Our hired girl, she's 'Lizabuth Ann;
An' she can cook best things to eat!
She ist puts dough in our pie-pan,
An' pours in somepin' 'at's good an' sweet;
An' nen she salts it all on top
With cinnamon; an' nen she'll stop
An' stoop an' slide it, ist as slow,
In th' old cook-stove, so's 'twon't slop
An' git all spilled; nen bakes it, so
It's custard-pie, first thing you know!
An' nen she'll say,
"Clear out o' my way!
They's time fer work, an' time fer play!
Take yer dough, an' run, child, run!
Er I cain't git no cookin' done!"
When our hired girl 'tends like she's mad,
Happy the lab'rer in his Sunday clothes!
In light-drab coat, smart waistcoat, well-darn'd hose,
Andhat upon his head, to church he goes;
As oft, with conscious pride, he downward throws
A glance upon the ample cabbage rose
That, stuck in button-hole, regales his nose,
He envies not the gayest London beaux.
In church he takes his seat among the rows,
Pays to the place the reverence he owes,
Likes best the prayers whose meaning least he knows,
Lists to the sermon in a softening doze,
And rouses joyous at the welcome close.
We, the Fairies, blithe and antic,
Of dimensions not gigantic,
Though the moonshine mostly keep us,
Oft in orchards frisk and peep us.
Stolen sweets are always sweeter,
Stolen kisses much completer,
Stolen looks are nice in chapels,
Stolen, stolen, be your apples.
When to bed the world are bobbing,
Then's the time for orchard-robbing;
Yet the fruit were scarce worth peeling,
Were it not for stealing, stealing.
Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupation,
That is know as the children's hour.
I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.
From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.
A whisper and then a silence:
Yet I know by their merry eyes,
They are plotting and planning together,
To take me by surprise.
When the warm sun, that brings
Seed-time and harvest, has returned again,
'T is sweet to visit the still wood, where springs
The first flower of the plain.
I love the season well,
When forest glades are teeming with bright forms,
Nor dark and many-folded clouds foretell
The coming-on of storms.
From the earth's loosened mould
The sapling draws its sustenance, and thrives;
Though stricken to the heart with winter's cold,
The drooping tree revives.
The softly-warbled song
Comes from the pleasant woods, and colored wings
Glance quick in the bright sun, that moves along
The forest openings.
My books I'd fain cast off, I cannot read,
'Twixt every page my thoughts go stray at large
Down in the meadow, where is richer feed,
And will not mind to hit their proper targe.
Plutarch was good, and so was Homer too,
Our Shakespeare's life were rich to live again,
What Plutarch read, that was not good nor true,
Nor Shakespeare's books, unless his books were men.
Here while I lie beneath this walnut bough,
What care I for the Greeks or for Troy town,
If juster battles are enacted now
Between the ants upon this hummock's crown?
Bid Homer wait till I the issue learn,
If red or black the gods will favor most,
Or yonder Ajax will the phalanx turn,
Struggling to heave some rock against the host.
Glory be to God for dappled things—
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches' wings;
Landscape plotted and pieced—fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.
The furl of fresh-leaved dogrose down
His cheeks the forth-and-flaunting sun
Had swarthed about with lion-brown
Before the Spring was done.
His locks like all a ravel-rope’s-end,
With hempen strands in spray—
Fallow, foam-fallow, hanks—fall’n off their ranks,
Swung down at a disarray.
Or like a juicy and jostling shock
Of bluebells sheaved in May
Or wind-long fleeces on the flock
A day off shearing day.
Then over his turnиd temples—here—
Was a rose, or, failing that,
Rough-Robin or five-lipped campion clear
For a beauty-bow to his hat,
Look at the stars! look, look up at the skies!
O look at all the fire-folk sitting in the air!
The bright boroughs, the circle-citadels there!
Down in dim woods the diamond delves! the elves'-eyes!
The grey lawns cold where gold, where quickgold lies!
Wind-beat whitebeam! airy abeles set on a flare!
Flake-doves sent floating forth at a farmyard scare!—
Ah well! it is all a purchase, all is a prize.
Buy then! bid then!—What?—Prayer, patience, aims, vows.
Look, look: a May-mess, like on orchard boughs!
Look! March-bloom, like on mealed-with-yellow sallows!
These are indeed the barn; withindoors house
The shocks. This piece-bright paling shuts the spouse
I Got me flowers to straw Thy way,
I got me boughs off many a tree;
But Thou wast up by break of day,
And brought’st Thy sweets along with Thee.
The sunne arising in the East,
Though he give light, and th’ East perfume,
If they should offer to contest
With Thy arising, they presume.
Can there be any day but this,
Though many sunnes to shine endeavour?
We count three hundred, but we misse:
There is but one, and that one ever.
Rise, heart, thy lord is risen. Sing his praise
Without delays,
Who takes thee by the hand, that thou likewise
With him may'st rise:
That, as his death calcinиd thee to dust,
His life may make thee gold, and, much more, just.
Awake, my lute, and struggle for thy part
With all thy art,
The cross taught all wood to resound his name
Who bore the same.
His stretchиd sinews taught all strings what key
Is best to celebrate this most high day.
Consort, both heart and lute, and twist a song
Pleasant and long;
Or, since all music is but three parts vied
And multiplied
THE PROLOGUE.
"No more of this, for Godde's dignity!"
Quoth oure Hoste; "for thou makest me
So weary of thy very lewedness,
That, all so wisly God my soule bless,
Mine eares ache for thy drafty speech.
Now such a rhyme the devil I beteche:
This may well be rhyme doggerel," quoth he.
"Why so?" quoth I; "why wilt thou lette me
More of my tale than any other man,
Since that it is the best rhyme that I can?"
"By God!" quoth he, "for, plainly at one word,
Thy drafty rhyming is not worth a tord:
Thou dost naught elles but dispendest time.
Sir, at one word, thou shalt no longer rhyme.
Let see whether thou canst tellen aught in gest,