bitter cold weather again
and me with a silver head
and a stone in my mouth
no porridge
no pork
nobody I love
but a hundred stories
and how absurd to be king
for half an hour
a parliament with a pen is
a parliament of paper
an ow comes out of each owe
how to think with no ink
We were just talking about you crooked tunnel
the way you funnel your long freight up the walnut tree serpent
& glide out along one diminishing limb until you reach the roof
drop into the gutter & loop into a squirrel hole above the kitchen
We’d just found one of your old skins snagged on a thorn
I don’t think he’s coming back for it I joked
And my neighbor glances up into the tree & says
Well there he is now
And there you were son of a bitch
still & heavy as a tongue with bad news
waiting for a signal neither of us caught
to set you back into motion into path into limbless dragon
flicking your soft Y of flame
Enormous oak
the daylight moon in its branches
a goat at its foot
Holstein with a heart
in the middle of her forehead
loves the salt lick
Horses in the shade
of a weeping willow
a cascade of piss
first sunrise of the year
the orange bellies of the clouds
are blurry with snow
a gray squirrel in estrus trailed
by two slow-motion suitors
in the wind
above the ridge a raven
croaks & somersaults
my first piss of the New Year
I’m especially careful
distant rumble
of a military jet
it’s still the same world
windows rattle with the snoring
of a late-night reveler
I clear the cookies
would have nothing whatsoever
to do with, you know — those interlopers.
It would have, I suppose,
a cold mountain stream in it,
a rock shifting in the current,
the too-loud splash of a trout.
It would have loose bark
ticking in the wind
& a saw-whet owl’s discrete
requests for clarification —
that kind of persistence.
It would have the hush
when the crickets suddenly stop
& your pulse makes such a racket
you’re sure it will give you away,
you whose knees
the shore is a kind of road
that leads only to itself
the sound of its traffic
is said to be soothing
its sand grains attract
hourglass figures
we bury each other
up to the neck
gulls & gamblers take turns
screaming at the sun
we eat white sandwiches
& colored ice
there are rides no one
has ever dared get off of
there are entire hotels
patronized only by crabs
Shameless procrastinator,
ragged tooth unsullied by the dawn.
Full, you went to bed on time;
a quarter empty & you never act your age.
Hasp with no padlock,
no wonder the night got away!
Old flat tire.
As if my poet’s O were set in gothic.
The letters suddenly
look enormous —
ant on the keypad
Fireworks from the valley
blossom at eye-level —
the smell of gunpowder
My desk lamp has acquired
a curtain of beads:
white spiderlings
Coffee just poured,
I rinse the pot & find
a live firefly
What can you do, he asks.
I can recite pi, I tell him,
to one thousand places.
Blindfold me — I can find
& identify flying objects
better than a bat. I don’t
merely eat fire; I excrete it.
I can go for years without sleep.
But he only wants to know
how much I drink — as if
I ran away from my life
& came all this way just
to pound stakes & shovel
elephant dung like some
lousy roustabout. Your loss,
I say to his back, & shuffle
Symplocarpus foetidus
Here’s to the skunk cabbage,
first plant to raise a toast to spring,
even if it sometimes has to melt a hole
right through the ice,
a plant that grows
its own hothouse
& keeps it at 22 degrees Celsius
for weeks on end.
Half monk, half cobra,
it shares its solitude
with the earliest flies & beetles,
whose springtime fancy
turns to putrefaction: gut piles,
winter-killed deer, & in the swamp
a leathery curl of old meat.
What a quaint notion–that life
could be anything but kinetic,
frenetic, in full
swing! But let’s have a galvanized steel
bucket of ice sent up & see
what happens. Something
to shine, to gleam.
And a wooden bowl of felt-
&-plastic fruit on
a low table. And for
the proper contrast, for corners
appropriately dark, Japan’s
the place: the traditional-style
half of a hotel suite, say,
in a seaside resort just
beginning to fall