Envoy For "A Child's Garden Of Verses" — Summary

WHETHER upon the garden seat You lounge with your uplifted feet Under the May's whole Heaven of blue; Or whether on the sofa you, No grown up person being by, Do some soft corner occupy; Take you this volume in your hands And enter into other lands, For lo! (as children feign) suppose You, hunting in the garden rows, Or in the lumbered attic, or The cellar - a nail-studded door And dark, descending stairway found That led to kingdoms underground: There standing, you should hear with ease Strange birds a-singing, or the trees Swing in big robber woods, or bells On many fairy citadels:

There passing through (a step or so - Neither mamma nor nurse need know!) From your nice nurseries you would pass, Like Alice through the Looking-Glass Or Gerda following Little Ray, To wondrous countries far away. Well, and just so this volume can Transport each little maid or man Presto from where they live away Where other children used to play. As from the house your mother sees You playing round the garden trees, So you may see if you but look Through the windows of this book Another child far, far away And in another garden play. But do not think you can at all, By knocking on the window, call That child to hear you. He intent Is still on his play-business bent. He does not hear, he will not look, Nor yet be lured out of this book. For long ago, the truth to say, He has grown up and gone away; And it is but a child of air That lingers in the garden there.

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In this closing poem to A Child’s Garden of Verses, Stevenson speaks directly to his young reader. He invites you to take the book and step into other worlds — an attic door becomes a stairway to kingdoms underground, where strange birds sing. The mood is playful and hushed, a secret adventure needing no grown-ups.

Then the tone shifts. Peering through the book’s window, you might spot another child playing in a distant garden. But you can’t call him out or join him: that child has grown up and gone away. Only a “child of air” lingers. There’s a gentle sadness here. The imagination can show you a bright, unreachable figure, but the real child behind it — perhaps Stevenson himself — is lost to time. The poem holds both the joy of make-believe and the quiet ache of knowing that such worlds are fragile, kept alive only by reading and remembering.

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