A child recalls the charming, old-fashioned flower names learned from a nurse—Gardener's garters, Shepherd's purse, Lady's smock. These whimsical words don't just label plants; they unlock a secret, miniature world. In the speaker’s imagination, the garden becomes a fairy realm with tiny woods, shady fairy houses, and braver fairies climbing the tops of rose and thyme. The voice is full of delighted make-believe, as if chanting a spell. Everything is small, hidden, and magical. Yet the poem ends on a gentle, wistful note. The child admits that grown-up trees are "fair," but the fairest woods are these tiny, imagined ones. There’s a longing to shrink down and live in that fairy world "for good and all," kept out only by being too tall. That final line aches softly—a quiet recognition that growing up means losing access to that enchanted, perfectly small place.
The Flowers — Summary
All the names I know from nurse: Gardener's garters, Shepherd's purse, Bachelor's buttons, Lady's smock, And the Lady Hollyhock.
Fairy places, fairy things, Fairy woods where the wild bee wings, Tiny trees for tiny dames-- These must all be fairy names!
Tiny woods below whose boughs Shady fairies weave a house; Tiny tree-tops, rose or thyme, Where the braver fairies climb!
Fair are grown-up people's trees, But the fairest woods are these; Where, if I were not so tall, I should live for good and all.