In “Farewell Frost, or Welcome Spring,” Robert Herrick celebrates the earth’s reawakening. Frost has fled, fields wear fresh green, and trees swagger with new leaves. The air feels so gentle that it seems the harsh winter never stripped the landscape bare. There’s a buoyant, almost giddy relief in watching the world reclothe itself.
Then Herrick turns to a simile. A frantic storm that tears an oak gives way to a quiet breeze; in the same way, he longs for the destructive “war” that plunders everyday goods—salt, corn, honey, wine, oil—to finally calm down. The mood shifts from playful joy to a sober, hopeful yearning. The closing image of a dove carrying an olive branch makes that hope tangible. The poem becomes a quiet plea for peace to arrive as naturally as spring, mending what winter and human fury have broken.