Portrait of an Old Lady — Summary

Aline KilmerInspired

Early one morning- as I went a-walking I met an old lady so stately and tall,

The red of her cheeks gave a quiver of pleasure Like the sight of red hollyhocks by a grey wall.

Fragrance of lavender clung to her, telling Of linen piled high on immaculate shelves ;

You could fancy her tending her garden or strolling Among the proud roses that grow by themselves.

When I am sorrowful, dreading the future, Dreaming of days when my hair shall be grey,

It cheers me to think of that lovely old lady, Lavender-haunted and hollyhock-gay.

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Out on an early walk, the speaker meets an old woman whose presence is immediately striking—tall, stately, with rosy cheeks that bring a little shiver of delight, like red hollyhocks blooming beside a grey wall. The faint scent of lavender around her whispers of clean linen and well-kept cupboards. You can imagine her moving through a garden, at ease among proud roses that need no fussing over. The whole impression is one of natural grace and quiet self-possession.

Later, when the speaker feels low, worrying about growing older and the loss of colour in life, she remembers this woman. The memory itself becomes a comfort. The old lady is not a figure of decline but of continued vitality—"lavender-haunted and hollyhock-gay." The mood is gentle and reassuring: age doesn’t have to be grim. It can carry its own kind of beauty, rooted in simple, sensory pleasures.

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