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Carl SandburgContemplative

I WROTE a poem on the mist And a woman asked me what I meant by it. I had thought till then only of the beauty of the mist, how pearl and gray of it mix and reel, And change the drab shanties with lighted lamps at evening into points of mystery quivering with color. I answered: The whole world was mist once long ago and some day it will all go back to mist, Our skulls and lungs are more water than bone and tissue And all poets love dust and mist because all the last answers Go running back to dust and mist.

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Carl Sandburg’s speaker remembers writing about mist simply because he found it beautiful—the way pearl and gray blend and drift, turning shabby houses and lit windows into shimmering points of mystery at evening. A woman asks what the poem means, and her question pushes him past beauty toward a deeper thought. He answers that the whole world was once mist and will dissolve back into mist someday. Human bodies, after all, are mostly water. Poets love dust and mist because these soft, shifting things seem to hold the final answers—not in clear statements, but in their quiet way of returning everything to its origins. The mood is calm, reflective, and slightly melancholy, as though the speaker accepts mystery rather than trying to solve it.

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