Moonset — Summary

Carl SandburgContemplative

Leaves of poplars pick Japanese prints against the west. Moon sand on the canal doubles the changing pictures. The moon's good-by ends pictures. The west is empty. All else is empty. No moon-talk at all now. Only dark listening to dark.

Show the whole poemHide the poem

Learn Poems app

Try the Learn Poems app

Everything from the website trainer, and more: new exercises, voice recording and sharing, reminders, quick review.

Carl Sandburg catches a brief moment just as the moon slips below the horizon. Poplar leaves stand out like Japanese woodblock prints against the western sky, and the moon’s reflection on the canal makes a second, shimmering version of the scene. The speaker is not only describing a pretty landscape; he watches it disappear. When the moon leaves, the pictures end. The west, then everything, becomes empty. There is no more moon-talk, only darkness listening to darkness. The mood is hushed and a little lonely. It feels like standing in the quiet after a performance, when the light goes out and you are left with stillness. The poem holds that instant of loss and makes it feel strangely beautiful.

Read also

More by Carl Sandburg

All poems
ContemplativeCarl Sandburg

Last Answers

I WROTE a poem on the mist And a woman asked me what I meant by it. I had thought till then only of the beauty of the mist, how pearl and gray of it mix and reel,
SadCarl Sandburg

It Is Much

Women of night life amid the lights Where the line of your full, round throats Matches in gleam the glint of your eyes And the ring of your heart-deep laughter :
SadCarl Sandburg

Pals

Take a hold now On the silver handles here, Six silver handles, One for each of his old pals.