All Souls — Summary

They are chanting now the service of All the Dead And the village folk outside in the burying ground Listen--except those who strive with their dead, Reaching out in anguish, yet unable quite to touch them: Those villagers isolated at the grave Where the candles burn in the daylight, and the painted wreaths Are propped on end, there, where the mystery starts.

The naked candles burn on every grave. On your grave, in England, the weeds grow.

But I am your naked candle burning, And that is not your grave, in England, The world is your grave. And my naked body standing on your grave Upright towards heaven is burning off to you Its flame of life, now and always, till the end.

It is my offering to you; every day is All Souls' Day.

I forget you, have forgotten you. I am busy only at my burning, I am busy only at my life. But my feet are on your grave, planted. And when I lift my face, it is a flame that goes up To the other world, where you are now. But I am not concerned with you. I have forgotten you.

I am a naked candle burning on your grave.

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On All Souls’ Day, villagers gather among painted wreaths and burning candles, trying to reach their dead. The speaker’s grief is different. The dead person’s literal grave is in England, untended, but the speaker says the whole world is now that grave. The speaker becomes a “naked candle” standing on it, a living body burning upward like a flame toward the dead. It is an offering—a way of keeping faith, as if every day is All Souls’ Day.

The ending is strange and powerful: the speaker insists on having forgotten the dead, being busy only with living and burning. Yet their feet remain planted on the grave, and their face rises like fire toward the other world. The mood is intimate, ritualistic, and a little haunted—grief transformed into a fierce, almost obsessive act of living.

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