Tears and Kisses — Summary

There are tears sweet, refreshing like dewdrops that rise, There are tears far too deep for the lakes of the eyes.

There are kisses like thistledown, fitfully sped, There are kisses that live in the hearts of the dead.

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In just four short lines, Georgia Douglas Johnson sets two kinds of feeling side by side. Some tears bring relief, as gentle and renewing as morning dew. Others run too deep to be measured by anything the body can show. The same is true of affection: certain kisses are light and quickly gone, like thistledown blown by the wind. But some kisses stay with us past death, rooted in memory and love for someone no longer here. The speaker sounds tender and reflective, not angry or hopeless. The mood is intimate and bittersweet, moving from gentle sadness to a quiet sense of permanence. The poem feels like someone sitting with loss and love at once, recognizing that the deepest emotions often have no outward size or shape, yet they remain.

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Your lightest breath may fan my cheek Your whisper stir me when you speak, And yet— The teeming planets play
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Fire—tears— And the torture-chamber, With the last maddening turn of the screw— Only thus
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The heart of a woman goes forth with the dawn, As a lone bird, soft winging, so restlessly on, Afar o'er life's turrets and vales does it roam In the wake of those echoes the heart calls home.