The speaker is sorting a collection of tools that belonged to a man named Tam. Rather than just boxing up objects, he reads them for traces of a working life: a handle rubbed smooth by one particular palm, wood darkened by years of sweat, a mechanism fixed with an improvised, practical cleverness. Tam worked for shelter and wages, not to leave a memorial, but the tools have become a record anyway.
The mood is quiet and wintry. The workshop is cold, oak trees stand bare, and even a bear has damaged an apple tree. The sorting feels tedious and sometimes sad, but the speaker also feels genuine respect and awe at the difficulty, steadiness, and determination these worn things reveal. It is a restrained meditation on labor, memory, and ordinary legacy.