In “Cup,” the speaker pictures the self as both a container and what fills it: “I am contained / in the cup of me.” From there, the speaker playfully corrects the old claim that humans came from the sea. What really emerged were “versions / of something that could / turn into us”—a wry, slightly deflating way of talking about evolution and bodily origins. The mood is intimate and amused, not heavy. The speaker sees the body as a “compound” made from modified salt water, “elaborated, prorated,” as if life has been processed and portioned out. That word “prorated” adds a comic, almost financial note, suggesting our time and substance are allotted. The ending, “not quite yet / evaporated,” shifts the tone just enough: the cup is full for now, but evaporation—death or disappearance—is eventually coming. It’s a short, clear meditation on being a temporary, salty, self-contained self.
Cup — Summary
I am contained in the cup of me.
Originally, it is claimed, we came from the sea.
Actually, what emerged were versions of something that could turn into us. Nonetheless,
here I am, a full cup of me, a compound composed of me, salt water modified, elaborated, prorated, not quite yet evaporated.