Aviary — Summary

Richard GrahnContemplative

The eight-year-old boy can’t reach the first branch of the largest of a pair of Maples in the front yard so he settles for the lowest branch of the smaller tree. He easily pulls himself up into the first crotch and pauses there, planning his route to the top of his favorite aviary. He knows each branch like the back of his hand, every step, every handhold. He starts to climb, one limb at a time.

As the boy ascends, the branches get smaller and more flexible. He can feel himself now swaying gently in the wind. He can almost (but not quite) poke his head out of the leaves at the top of the tree before he’s forced to stop climbing. Here he tucks a leg into the fork between two branches and settles in.

First, he senses the breeze gently evaporating the sweat from his climb. Then he feels the sun poking through the few leaves hovering above his wandering eyes. Eventually, the sound of those rustling leaves bleeds into his awareness. All would be silent if it weren’t for the rhythm of the leaves and the chirping of an unseen bird. The boy is where he needs to be. A robin lights on the branch beside him. He wishes he could fly.

dancing with a cricket... moonrise

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An eight-year-old boy abandons the larger maple he can’t manage and climbs the smaller one instead, moving branch by branch until the limbs become too thin and flexible to trust. High in the leaves, he steadies himself, and the poem slows down with him. He begins to notice everything: breeze drying his sweat, sunlight falling through the leaves, the hush broken only by leaf-rustle and an unseen bird. There’s no big event—just a child feeling, for a moment, exactly where he belongs. When a robin lands next to him, his wish to fly feels less like envy than longing to belong more fully to this quiet green world. The closing three lines shift into a spare, night-time image—dancing with a cricket, moonrise—like a small after-breath of the same calm. The mood is peaceful, attentive, and slightly wistful.

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