The speaker keeps stealing from corpses: skin, hair, ears, eyes, even thoughts. Each theft is meant to fix something, to give her a dream, some warmth, a way to face the sun, a voice to use in the world. Each one backfires. The hood costs her blood, the stolen eyes leave her without her own, and the borrowed thoughts and books only show her name and a lie. Judging by the imagery, the corpses stand for dead voices and inherited ideas, and she can't make herself out of them.
The tone is dark, bitter and darkly funny, with a nursery-rhyme beat that makes the grisly images feel almost casual. The speaker seems trapped and lonely, "jailed" with no one to pay her bail. Even the spirits she meets are no real help. The ending turns the idea around: she'll offer her own body to medical students, finally giving something real, though she must wait for life first.