The Man You Just Passed — Summary

No clear origin, No obvious direction. Thick-thighed, big-bellied, Heavy buttocked, hairy, Squat, a working man, Head set directly into chest, Upright. Upright looking Skyward, looking earthward, Averting eyes, looking deeply Into eyes, burning to look Deeply, to reach out to you In the pride of his youth.

Upright. Arms uncomfortable At his sides, gesturing, Grunting out of a cave, Ice-driven into shelter, Planting the alluvial plains, Words in his mouth, desirous Of love. Desirous Of knowledge, knowing Nothing of himself, or next To nothing, some damned To wander in search, damned To knowledge of his wandering, No clear origin, no obvious Direction, a book of myths And laws, a flood, A kingdom, a flood, Bound up and freed And bound again, walking, Feet planted in fear, planting

Nothing, facing murder. Talking. Eating. Eating well. Eating with his eyes Over his shoulder, taking Shelter in cities, no Clear origin, no obvious Direction, lover Of women, lover Of children, deserter Of both, bound up And freed and bound again, Walking, arms uncomfortable At his sides, feet Planted in fear, planting

Nothing, facing murder, In a country Of murderers, I reach out to you, I'm the man you just passed, There were words in my mouth.

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The poem begins by describing a man you might walk past without a second glance: stocky, hairy, a working man with no clear past and no clear destination. But as the lines go on, he grows larger than one person. He is a cave dweller, a farmer on the first plains, a survivor of floods, someone living in cities. He seems to stand for humanity itself, always searching, always unsure of where he came from.

The speaker's feelings are tender and anxious at once. He wants love and knowledge, yet he loves and leaves, and he walks with his "feet planted in fear." The repeated phrases, "no clear origin, no obvious direction," and "bound up and freed and bound again," make the poem feel like a cycle that never ends. The mood is lonely and uneasy, especially with the line about "a country of murderers." Then the final lines turn personal: the speaker is the man, reaching out, and the words in his mouth were never spoken.

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