Onam, alone — Summary

Balachandran V28.08.04. Onam, TrivandrumSad

Onam*- festivities and happiness, Dresses in colour, TVs and fridges Cars and bikes in a spending spree. Respite from a life, lived mundane.

Onam, my first, without my mother Forty-six Onams I spent with her. Her age not counted in mouthfuls of rice1 Her last was a ball for the crow to eat.2

Onam- a week a year, from one to next Sky so blue and fields so green. Clouds have gone, weather is mild Onam will come, the dead will not.

But trees do flower, waters do rise, Hills turn green, despite the droughts. They mightn’t be the same, yet they are, Despite the deaths, life doesn’t end.

Somewhere, in some house, a baby is born, Somewhere in a newborn, relives my mom. I wouldn’t know her, I wouldn’t see her, But somewhere, somehow, we would meet.

I’d hold her hand, touch her head, Hold her cheek close to mine. I’d sense her soul from the smell of her skin The smell, the feel, of my mother’s milk.

I’d tell her I loved her, Love, neither shown, never given. I’d talk to her in words so sweet, Bitter were those unto the last.

I’d hug her, with all warmth and love, For never did I know the touch of her heart. I cared for her with all my heart, But walls did grow, watered with hate.

A horse, whipped, without reason, A dog, kicked, howling in pain. Whimpering in fear, uncomprehending, Yet I took care unto her last.

Ah! Time! Come to a grinding halt, Shift a lever in reverse mode. Stop at the day when I sat on her lap, Gave her a kiss and hugged her close- And slept- as I did, once, in her womb.

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The speaker is spending his first Onam without his mother, after forty-six with her. Around him the festival goes on: new clothes, TVs, fridges, shopping. But for him it only sharpens the loss. "Onam will come, the dead will not."

He then turns to nature, which keeps flowering and greening, and finds a thin comfort: life continues despite death. From there he imagines meeting his mother again in a newborn, holding her, recognising her by smell, and finally saying the love he never expressed.

What stands out is his honesty. He admits the relationship was hard, with bitter words and "walls" of hate, even though he cared for her to the end. The images of a whipped horse and a kicked dog suggest guilt and confusion. The mood is sorrowful and regretful, ending in a longing for time to run backward to a child's safe sleep on her lap.

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