Haiku Eighteen — Summary

Andrew HamlinContemplative

Sweat collecting on the heel of my right hand dampens the denim

I remind myself not to expect friendship there, that’s better.

Bellevue bus banner “8 restaurants to choose from” the pigeon pecks crumbs

The Fourth of July means nothing to me this year but thick, rolling booms.

One table, one man eating a bean from a plate outside, history

The fire station flag stands at half-mast; butterflies catch the breeze, higher

Sixteen chickadees find, on the short sticker bush rest for the twilight

Who watches the light in the corner, as it clicks on and off again?

Every day is death, every day is life; as such, what more can be said?

That siren downtown for just an instant I heard a man’s wide-mouthed cry.

Steel pipe overhead sings is own song, this hottest day of the summer.

I’ll fancy the mush rotting in my black waste can, the beach at high tide.

“You look pretty” says the old man, greeting each young lady gone by.

Waiting for the rain settling for those cold breezes… ahh, wet speckles.

Two drunks sing along with Pigpen; he’s dead but keeps up appearances.

The whole galaxy, denied her by one hundred- odd feet of tunnel.

His hand flap backwards as he toothlessly chews pizza, waiting for the bus.

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Think of this as a sequence of snapshots, each one caught in a few lines. The speaker moves through a city in summer, noticing sweat on a hand, a pigeon under a bus banner, a siren, an old man complimenting every young woman who passes. Nothing is explained. The poem simply lets odd, ordinary details pile up.

The mood is quiet, a little lonely, and often wry. The speaker reminds himself not to expect friendship, and the Fourth of July means nothing to him beyond "thick, rolling booms." Yet he keeps looking closely. Butterflies rise higher than a half-mast flag, chickadees settle for the night, and rotting trash becomes a beach at high tide if he chooses to imagine it so.

One line, "Every day is death, / every day is life," comes close to stating a theme, then admits there is little more to say. That honesty fits the whole piece: small attention, small consolations, and a sense that noticing is enough.

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