Haiku 60 — Summary

Andrew HamlinContemplative

She giggles at her grey pubic hair through new glasses

An old film… the youth’s curly leg hair vanishes mid-thigh

An ambulance waits… little girl rides a scooter in ellipses

Coke bottles clink in his square basket… pedaling home

He pressure-washes into the windstorm… prancing spray-ghosts

Tuscon does not vibrate, does not ring… soft like the desert

Fresh socks go faster doubled each day in my rain boots

Kicked to the curb… but I’m blessed with this stoplight and a bracing freeze

This grey day born half-dead, capitulates to patient dark

A fight I don’t want to have (she’s thrown out good bread yet again)

A retreat; melting ice…my erection shrivels in my pants

This train as it speeds–pushing wind ahead

Deaf-mute, numb to thunder, sees lightning with his eyes closed

Wednesday… I pitch loneliness to the gull, swooping

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Andrew Hamlin's sequence is a string of tiny snapshots, each one catching an ordinary moment and leaving it unexplained. A woman laughs at her grey pubic hair through new glasses. A little girl on a scooter loops past an ambulance. A man pressure-washes into a windstorm, and the spray becomes ghosts. The speaker watches closely and with a kind of wry affection, finding odd beauty in bodies, weather and street life.

Other poems turn inward. Someone is kicked to the curb yet feels lucky to have a stoplight and a cold snap. An argument over thrown-out bread is one the speaker doesn't want. A shrivelling erection, the closing gull that receives his loneliness: these admit embarrassment and ache without fuss. The mood is quiet, humorous and a little lonely, but never self-pitying. Time, aging and fading light run underneath, and the poems suggest that noticing small things is how the speaker gets through the day.

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