PARIAH — Summary

Dave BontaAnxious

It’s true, i was careless, that one i was always shadowing–that little light of mine–it gave me the slip one night. I’d thought i could allow myself one unguarded dream, woke to the baying of dogs & the beating of a hundred pairs of wings–pigeons with their automatic laughter. I had to go live among the graves, where no one looks for a wife.

It’s been months now. Years, even. Time again when night turns the crests of the mountains white like the hands of God on the horizon, his bared knuckles.

One morning the vines lie limp & dark six months after setting the one-eyed lumps in the furrow. And just now, my long-fingered rake lifting a clump of dirt has uncovered a miniature cry, a voice coming out of the ground right at my feet. Do earthworms or beetle grubs speak?

On my knees, plucking the stones from their beds i’ve unearthed a half-size infant’s foot & grasping it around the ankle with a gentle tug, look– i’ve rescued a tiny naked girl the very color of clay. She lies in the crook of my arm & returns my gaze like the cistern where i draw water.

I’ll take her back to my charnel house. She will grow fat on boiled potatoes & teach me how to interpret this ceaseless buzzing of the dead who are said to sleep.

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The speaker is a woman cast out after one careless night. She lost her "little light," let herself dream, and woke to barking dogs and mocking pigeons. Now she lives among the graves, working a vineyard and cut off from ordinary life, where, as she says, "no one looks for a wife."

The poem turns when her rake uncovers a tiny cry in the soil. She digs out a clay-colored baby girl, and the child's steady gaze reminds her of the cistern where she draws water. The moment feels strange and tender at once. Her isolation is suddenly interrupted by something that needs her.

The mood is eerie but quietly hopeful. The speaker doesn't seem to pity herself. She takes the child home to her "charnel house," planning to feed her and learn from her how to understand the "buzzing of the dead." The poem suggests that an outcast, living closest to death, may find new life and meaning there.

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