Dreamliner — Summary

Dave BontaContemplative

Aircraft. It sounds like something one could learn: how to breathe, how to oxidize. But this craft is the kind that floats, and it is enormous. It takes us the full width of Norway at its widest point to reach cruising altitude.

The Boeing 787 is nicknamed the Dreamliner, and its crowded cabin, though far from silent, is filled with a lovely hush of white noise that makes it difficult to stay awake. The only light left in the sky is a band of red above an oddly low horizon which goes before us like Yahweh leading the Jews out of Egypt, on and on into what my body assures me should be night.

five-hour sunset a movie plays on the back of every seat

Our original flight map had shown the plane going farther south, but I wake to find us over northern Iceland. In little over an hour we’ve made the journey that used to take the Norsemen more than a week in their own formidable crafts, part Dreamliner, part F-22. I’m not sure what always makes me favor window seats on the left side of a plane, but this time it pays off: that stream of bright orange in the near distance can only be the lava flow from the volcano Bárðarbunga, which on Google Earth—accessible from my seat-back video screen—shows as a great round hole. Now it is the rest of the island that is black, and the caldera, when it periodically appears, is as livid as a setting sun.

a glowing wound in the darkness six miles below Bárðarbunga

Volcano! in half a dozen languages we gape through our portholes

A little later, as the lava flow recedes into the distance, I start to see the lights from settlements along the north coast. Pressing my face right up to the glass, I realize there’s still just enough light to distinguish land from the slightly darker sea. I recognize Vatnsfjord from the maps that accompanied translations I’ve read of Vatnsdæla Saga and Grettir’s Saga, and then the fern-frond-like Westfjords from, well, every map of Iceland ever (though I do think of the ill-fated hero Gisli). Then we are back out over the north Atlantic, its waves and storms as remote as a legend from our comfortable, high-tech bubble. The west seems brighter now, but it will have faded to blackness by the time we land in New York. I remember with a smile something someone said about the pilots as we waited to board at the Oslo airport: “If they’re too late, they won’t have time to fly up over the top of Canada as they usually do.”

curve of the horizon even from this height it’s hard to believe

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Dave Bonta's prose poem follows a night flight on a Boeing 787 from Oslo toward New York. The speaker drifts between sleep and waking, watching the strange, long sunset that comes from flying west, with a red band of light that seems to lead the plane onward. The cabin is hushed and comfortable, and the screens on every seat make the journey feel almost dreamlike.

The high point comes over northern Iceland, where the speaker spots the glow of lava from the volcano Bárðarbunga. Passengers gape in many languages, and the speaker compares the glowing crater to a wound in the dark. Then the mood settles again as the plane passes the coast and heads out over the Atlantic.

What comes through is wonder mixed with a little unease. The speaker is amazed by how fast modern flight crosses distances that once took the Norsemen a week, yet the sagas and the old, dangerous sea feel far away from this "high-tech bubble." The closing haiku about the horizon's curve captures that sense of disbelief.

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