Postmortem — Summary

I died with the word I on my lips. It only took a moment, a slight pause as if for a line- break or a comma, a panicked thought or the time required for an 8-ball to cross the baize. I died, and the cities I harbor gave way to squalid refugee camps where the moon went through a new phase of never getting out of bed. They fed it on thin broth that tasted like a landlocked sea. And there I floated like Moses in my open casket waiting to be adopted by Mother Earth— to be somehow seen again, if only by the mute-belled lilies of the valley and their brawny, tawny bee.

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The speaker describes their own death as something almost casual: it happens in a moment, like a pause at a line break or the time a billiard ball takes to roll across the table. They die while saying "I," which suggests a self cut off before it could finish its own sentence.

After that, the poem turns strange and dreamlike. The cities the speaker "harbors" become refugee camps, and the moon, fed thin broth, seems sick or worn out. It's as if the speaker's inner world is collapsing along with their body. Then comes the image of floating in an open casket like the baby Moses, hoping to be adopted by Mother Earth.

The speaker feels lonely and a little vulnerable, but not terrified. What they want is simple: to be noticed again, even by lilies and a bee. The mood is quiet, wistful, and oddly tender, with dark humor in the details and a small hope at the very end.

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