Tadpool — Summary

Dave BontaContemplative

I didn’t go to bars or restaurants all that often, but I still miss them. Longing is all about the unattainable, isn’t it? I often find myself out restlessly walking around the mountain instead.

so much more than one can hear hermit thrush

I like walking at dusk because it is then that the buzzing stops. I don’t mind the whine of a mosquito, but as long as I can remember, I’ve been bothered by flies. Too many of them and my nose starts to itch uncontrollably, I don’t know why. And nothing is more horrifying than some dead animal heaving with maggots.

ephemeral pond raccoon footprints fill in with tadpoles

In the news, reopening restaurants are seating mannequins at every other table so diners will feel less isolated. Just before waking, I dream that the top-hat wearing skeletons off The Best of the Grateful Dead Live album cover pass me on the street, but they’re no longer dancing. They look disoriented. The skulls have somehow lost their grins.

tadpool the social distancing of cannibals

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Dave Bonta mixes short prose paragraphs with haiku-like verses to capture a strange, isolated time. The references to reopening restaurants and social distancing suggest the pandemic, though the poem never names it. The speaker misses bars and restaurants, even though he rarely went, and notes that longing is about what we can't have. So he walks around the mountain instead, listening to a hermit thrush and noticing more than he can hear.

The mood drifts between restlessness, mild irritation, and unease. Flies and maggots bring disgust, while the mannequins at restaurant tables and the dream of skeletons who have lost their grins feel eerie and sad. Even the dancing dead seem disoriented.

The final haiku pulls these threads together. Tadpoles crowded in a small pond become "tadpool," a pun that turns them into a pool of swimmers who are anything but distanced. Calling them cannibals adds dark humor, a wry look at how nature's crowding contrasts with human separation.

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