Winter Den — Summary

Dave BontaContemplative

Limbs against the snow, outlined with more snow. Treetops no longer canopies but the bare nets of need. Their no-longer-rare caresses and collisions in the winter wind. The moans of the ice-bound. How tormented they’d be if they hadn’t retreated to the underworld, that silken matrix of rootlets and hyphae, to trade fermented memories of sunlight for the bones of a mouse.

winter den a slow leak of breath growing needles

snowy meadow seedhead bending into its own pit

We who cannot hibernate, isolated in our boxes of wood or brick, fight the cold any way we can. A poet posts a selfie taken by snowlight. A long-Covid survivor befriends the horse stabled beneath her apartment. The snow plowman dreams of combine harvesters bringing in the crop: a wintry mix. One of his chickens goes gaga over her egg.

cold sun the fetal curl of rhododendron leaves

What fever do I still need to break? I take a dose of Vitamin D with my morning outrage. Whose salt-block ignorance or black-ice tongue are we taking offense at today?

crescent moon a snowflake’s asterisk in my windpipe

It’s snowing right over there, on the other side of the valley, in soft syllables of Plattdeutsch. Fresh coyote tracks cross my own and I follow them back to a den under an outcrop of Tuscarora quartzite. I walk on, until the last bit of daylight has drained from the sky.

blinking through the night forest cell tower

house shaking from the oil furnace from the wind

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Dave Bonta's «Winter Den» mixes short prose paragraphs with haiku-like verses, moving between the frozen woods and the human world. It begins with bare trees, imagined as creatures that have retreated underground, trading memories of sunlight for something to survive on. Then it turns to people, who can't hibernate and are shut in their houses, getting through the cold with small comforts and odd little scenes: a selfie, a horse, a plowman's daydream.

The speaker grows restless. He asks what fever he still needs to break and jokes about taking vitamins alongside his "morning outrage," which suggests tiredness with endless angry news. Walking outside, he follows coyote tracks back to a den, and stays out until daylight drains away. The ending brings nature and modern life together: a blinking cell tower in the dark forest, a house shaking from furnace and wind alike.

The mood is quiet, wintry and a little uneasy, but also wry. Cold isolates the speaker, yet it also sharpens his attention to the world around him.

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