Dave Bonta's «Winter Den» mixes short prose paragraphs with haiku-like verses, moving between the frozen woods and the human world. It begins with bare trees, imagined as creatures that have retreated underground, trading memories of sunlight for something to survive on. Then it turns to people, who can't hibernate and are shut in their houses, getting through the cold with small comforts and odd little scenes: a selfie, a horse, a plowman's daydream.
The speaker grows restless. He asks what fever he still needs to break and jokes about taking vitamins alongside his "morning outrage," which suggests tiredness with endless angry news. Walking outside, he follows coyote tracks back to a den, and stays out until daylight drains away. The ending brings nature and modern life together: a blinking cell tower in the dark forest, a house shaking from furnace and wind alike.
The mood is quiet, wintry and a little uneasy, but also wry. Cold isolates the speaker, yet it also sharpens his attention to the world around him.