Night from the inside (2) — Summary

Dave BontaContemplative

pond the size of a table for four spring peepers

the distant cry of a migrant gull

frantic wings against the window’s good night moon

I remember how I talked myself out of my fear of the dark at age eight. Or did I? I’ve never been able to watch horror movies — I don’t want those sorts of monsters running loose in my imagination. There are enough real monsters in the news, I say to myself.

But fear isn’t rational, and evolutionarily speaking, it’s not without purpose: e.g. keeping sensible people the hell out of the woods after dark, when all manner of crepuscular and nocturnal creatures come out, and when it’s easy to lose one’s way. Being able to sit outside at night without fear is something that would’ve been inconceivable for almost all of human history, and is still not an option for people in many parts of the world, especially women.

the owl whose name sounds like bard sounds like she’s laughing

petrichor the Mesozoic trill of a toad

But spending time outside at night without a fire, whatever atavistic fear I may feel is nothing compared to the apprehension my presence must spark in other animals. I hear the alarm-snorts of deer, the wickering of raccoons, the surprised barks of weasels. I am trespassing on their realm and disturbing their nightly patterns. And for what? Just some bogus, Romantic feeling of oneness or awe? What is awe, anyway, if not a sort of denatured terror?

my scent in its midnight nostrils black bear

whatever you are I know that discontent

hour of the wolf a percolator’s last gargle

cut flowers with the corpse changing color

Why is being afraid of one’s own shadow considered the essence of cowardice? It’s not an unreasonable fear. If you’ve been alive for a while, you know what you’re capable of. At night you escape your specific gravity only to be immersed in a more universal displacement. The anyone you could be in your dreams is never not you. From this perspective, death could not be more different. For then at last you do become not-you.

drunk the slow off and on of glow worms

stargazing in the fog we’re going nowhere

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Dave Bonta mixes short haiku-like fragments with reflective prose to describe a night spent outdoors. The fragments give small, sharp glimpses: peepers around a pond, a gull's cry, a toad's trill after rain, glow worms blinking in the dark. The prose steps back to ask why night frightens us and whether that fear is foolish.

The speaker admits to a lingering fear of the dark, then turns the idea around. Perhaps the animals have more reason to be afraid of him, since he is the trespasser. He even doubts his own sense of awe, wondering if it is just "denatured terror." Later he considers fear of one's own shadow, and the thought that death means finally becoming "not-you."

The mood is hushed, curious, and a little uneasy, but it is not gloomy. The ending, stargazing in fog and going nowhere, feels oddly peaceful, as if the speaker has made room for his unease.

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