Residual — Summary

Thirty years after the sudden death of someone I didn’t know terribly well, what remains? Not his name. Not quite his face, but something of his posture and physique. A strong impression of good-natured and thoughtful conviviality, based on possibly no more than half a dozen conversations, always on the periphery of punk shows. The shock and sadness of his death from a brain tumor. Someone who, on rare occasions when he pops into my head, still makes me smile, and shapes my memory of that whole period in my life. Good times. A good dude.

Wish I remembered his name.

fledgling cuckoo flopping across the road

adoptive parents nowhere to be found

poor little rain-crow didn’t mean to be a parasite

opening my umbrella I spook a bear

in the depths of the hollow widely spaced raindrops

water still gurgling under the rocks

and the crashing of something big in black velvet

upslope through woodferns and storm-downed timber

a distant cuckoo singing who are you you you

I know a lullaby when I hear one

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The poem begins with a prose note about a man the speaker knew only slightly, who died thirty years ago. His name is gone, but the feeling of him remains: a kind, thoughtful presence glimpsed at punk shows. The speaker is fond and a little sad, and a little embarrassed not to remember the name.

Then the poem shifts into short nature scenes, in the style of haiku. A young cuckoo flops across a road with no parents in sight. The speaker opens an umbrella and startles a bear, which crashes off through the wet woods. Later a cuckoo sings in the distance, and its call sounds like "who are you you you."

That line quietly links the two halves. The speaker can't name the dead man, and the bird seems to ask a question back. The poem doesn't turn this into a lesson. It ends on comfort, hearing the call as a lullaby. The mood is damp, gentle, and accepting: some people persist as warmth even when their names have gone.

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