Fog walker — Summary

Dave BontaContemplative

My favourite ridgetop tea-drinking spot is quieter each time I visit. Gone (or hiding while they molt) are the nesting tanagers and warblers. A wood pewee still calls, and a blue-headed vireo interjects at one point, but that’s about it. A nearby black gum has begun to color up, anticipating early migration and the need for signal flags saying FREE LUNCH.

fog walker the millipede’s carpet of legs

I take it back: both the black-throated green warbler and the robin who nested nearby are still around, just rarely singing. Sit here long enough and you’ll hear everything—or at least everything audible over the trains and traffic sounds from the valley. Now it’s an annual cicada calling just once and falling silent again. The sun comes half out. I see from my shadow it must be nearly eleven.

closed book in my lap a square of sunlight

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Dave Bonta's piece mixes short prose notes with two haiku, and together they capture a late-summer visit to a favourite spot for drinking tea outdoors. The speaker notices what has gone missing: the nesting songbirds are quieter, maybe hiding, maybe moulting. A few voices remain, like the wood pewee and the vireo. Even the black gum tree is changing colour, and the speaker jokes that its leaves are like signal flags advertising a free lunch for migrating birds.

The tone is relaxed, wry and attentive. The speaker corrects themselves ("I take it back"), as if thinking aloud, and admits that the silence isn't total once you sit long enough. The mood is gentle and a little wistful, since the season is turning, but it's never gloomy. The haiku zoom in on small things: a millipede's many legs, a patch of sunlight on a closed book. The book stays shut because the real reading happens outdoors, in the woods.

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