Three Miles, Uphill in Both Directions — Summary

the sun was a letter of the alphabet then

my stomach could pronounce it better than my mouth

on the walk to school through two centuries of wreckage

past a ghost village and the end of town eaten by the interstate

along train tracks we knew to get off of when they started to hum

up over the wooded hill in the center of town with its water tank and cemetery

past hidden rooms with walls of wild grapevines whispering truancy

down into the industrial classroom a prison of numbers

where zero seemed to hold all the keys

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The title borrows the old joke about grandparents who trudged to school in impossible conditions, but the poem plays it with a straight, slightly wry face. The speaker remembers a childhood walk through a worn-down landscape: a ghost village, a town edge swallowed by the interstate, railroad tracks you had to leave when they began to hum. Everything seems damaged or half-abandoned, yet the walk itself feels alive and a little secret, especially the wild grapevines that seem to whisper "truancy," tempting a kid to skip school.

The opening lines suggest a child's mind, where the sun is just a letter and the stomach understands things the mouth can't say. School, by contrast, is cold and rigid: an "industrial classroom," a "prison of numbers." The last image, zero holding all the keys, leaves a bleak mood. The speaker feels that freedom and wonder belong to the journey, while the destination offers emptiness and control.

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