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it’s easy to stop seeing what’s on the horizon

people in the valley don’t really believe in it

what summer makes seem no less than a mountain

winter shows as it is no more than a hill

from my front porch a sudden influx of sky

after the leaves fall look it’s snowing

the flakes come to settle in their multitudes

well into the evening lightness piling up

between the trees no more omnivorous earth

but a colony of the clouds pale and puritanical

against which the individual trunks stand out

an absent crowd dreaming

together underground

and after my own sleep i rise and look again

on the underside of a snowy limb

a gray squirrel is walking upside-down

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The speaker watches how winter changes a landscape and, with it, how we see. Seasons alter what's on the horizon: what looked like a mountain in summer turns out to be a hill once the leaves fall, and a sudden "influx of sky" opens up from the front porch. Then snow arrives, and the poem slows down to watch it settle, "lightness piling up" between the trees.

The imagery grows strange and quietly beautiful. Snow becomes a "colony of the clouds," pale and "puritanical," while the bare trunks turn into an "absent crowd / dreaming / together / underground." The tone is hushed and attentive, with a gentle wonder rather than any sadness about winter. The ending brings a small surprise: after sleeping, the speaker looks again and sees a squirrel walking upside-down along a limb. It's a playful last note, suggesting that looking carefully, and looking again, keeps the world fresh and a little odd.

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