Told in the first person, the poem follows one spring day of close looking. The speaker notices an indigo bunting, a hummingbird, a battered elm, a bat tucked between storm windows, a turkey flushed from her nest, and a nest of purple nestlings. Each find is small, and the speaker's wonder grows with each one until, almost stepping on a newborn fawn, he can only think, "Jesus... what next?"
The mood shifts at the end. The speaker brings his eight-year-old niece, Eva, to see the fawn, calling it the first afternoon of its life and treating the moment gently. Eva, though, knows about hunters, and she mimes aiming a rifle at the fawn's ribs. Her voice rises as she does it. The poem doesn't comment, but the tension is clear: tenderness sits right beside the knowledge of danger. The final image, the fawn's nostrils quivering at the strange scent of humans, leaves us feeling both awe and unease.