Incantation — Summary

Dave BontaContemplative

The caterpillar tents start appearing just as the leaves burst their buds, as if someone with a white marker were doodling in every crotch of limbs. My dad goes into the hospital to have a large, non-malignant tumor removed from his lower spine, & I picture a white knot swelling with caterpillars of pain. A day after the surgery he’s taking his first steps without it, this thing that has made almost every position of repose impossible for weeks, forcing him to stand or to walk slowly for hours each day. Now it has been thoroughly cast out through the surgeon’s art, excised, exposed: bulb that burned but gave off no light. Sexless flower. Empty tent. Be gone. Be gone. Be gone.

Here in the woods where my father returns in a couple days to resume his walking — this time to heal rather than assuage — flashes of scarlet as a tanager snatches gnats & caterpillars from the not quite fully opened leaves, singing a line of his hoarse song between each mouthful of wings, each mouthful of spines.

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In spring, white caterpillar tents appear in the trees, and the speaker links them to his father's trouble: a large, non-cancerous tumor on his lower spine. The speaker imagines it as a white knot swollen with "caterpillars of pain." It has made sitting or lying down nearly impossible for weeks, so his father has had to keep standing and walking. After surgery, the father takes his first steps without it. The speaker's repeated "Be gone" works like a spell, which fits the title, and the tumor becomes a "sexless flower" and an "empty tent."

The second stanza moves into the woods, where the father will soon walk again, now to heal rather than just ease the pain. A tanager eats caterpillars and gnats while singing a hoarse song, which the speaker hears as echoing his father's voice. The mood is relieved and tender, though the final image of "mouthfuls of wings" and "spines" keeps a little of the sting.

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