In league with the stones — Summary

Dave BontaInspired

Dear Teju,

Rocks are the roofs of a city we barely know. On a dry ridgetop at the end of a dry month, I find little under them but burrows leading deeper into the earth, a colony of ants frantic at the sudden inversion, and on the talus slope, more rocks: a puzzle that was put together wrong 8,000 years ago, but over the millenia has settled into its own kind of rightness. I follow a bear’s trail through the woods, marked by black cherry-pitted cairns of bear shit, & note the series of overturned rocks, flipped by an expert claw. Only a human, uneasy at the way our grotesque bodies no longer quite fit into the matrix, would ever return a flipped rock to its bed. Birds have nests, foxes have holes; culture is not a thing unique to humans. The song that makes the songbird must be taught. Instinct borrows always from improvisation — the true two-step. But watch a human child, too young to hunger for our made world’s humdrum El Dorados, playing in the creek with a stick — how she projects her dreams into the teeming, pulsing flow, how she punctuates & fabricates — & tell me this is not more wondrous than any gold, this human being!

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Written as a letter to someone named Teju, this poem follows a walk along a dry ridge where the speaker looks under rocks and finds very little: burrows, panicked ants, more stones. Then a bear's trail takes over. The bear flips rocks as a matter of course, and the speaker jokes that only a human, awkward in the world, would bother to put one back. That joke leads into a bigger idea: culture isn't ours alone. Birds build nests, songbirds must be taught their songs, and instinct leans on improvisation.

The final turn is to a child playing in a creek with a stick, imagining things into the moving water. The speaker finds this more wondrous than gold. The mood begins quietly curious and a little wry, then grows warm and almost giddy, and the closing exclamation, "this human being!", reads as a burst of delight. The speaker isn't putting humans above animals so much as marveling at what imagination looks like in a child.

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