On the Road to Santiago — Summary

Dave BontaContemplative

My brother had chanted its name for days until, voilà, it hung a hundred feet above our astonished faces: lammergeier, impossible to miss, the open book of its body so wide it could be read by the thinnest updrafts, dark against the clouds —

& us standing by the very rock that Roland’s sword was said to have split when he fought the Basques & prepared a feast for vultures. But this one with its fully feathered head & wisp of beard looked nothing like one of those tonsured carrion-eaters.

We lamented its empty talons, having fed ourselves on tales of an expert locksmith taking the bones one by one up into the sky & letting them drop onto some likely rock, there to glean from the splinters the wine-red marrow, mother of blood. We watched it pivot, rocking in the high wind, then slide quick as a sword down that long & boney ridge.

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Two brothers on a pilgrim road finally see the bird they have been hoping for: a lammergeier, a huge vulture, hanging in the sky above them. The speaker's brother has been chanting its name for days, so its arrival feels almost summoned, and the poem opens with a burst of delight and wonder.

The setting adds a layer of legend. They stand by a rock said to have been split by Roland's sword, and the speaker expects a vulture to look like a scavenger from that bloody story. Instead the bird has a feathered head and a wisp of beard, and it seems nothing like the "tonsured carrion-eaters" he imagined. The mood shifts to something gentler, even a little comic, when they regret that its talons are empty. They had hoped to see it drop bones and crack them open for the marrow, which the speaker calls "mother of blood." The ending is quiet and graceful: the bird pivots, then slides down the ridge "quick as a sword," tying nature back to legend.

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