Harvest Moon — Summary

ravaged ladder house of straw fine hair on the face of a fetus the thumbprint of God

breakdowns are part of the act this time of year the rock concert’s fake fog taken straight from a Song Dynasty landscape

feedback feedback captive cormorants in choke collars unable to swallow even the ghost of a fish

nobody waxes poetic under spotlights as bright as these nobody lies down under tombstones as white as these

you have to drive an hour to find a dark enough night for dissolution poor moon poor harvest

Show the whole poemHide the poem

Learn Poems app

Try the Learn Poems app

Everything from the website trainer, and more: new exercises, voice recording and sharing, reminders, quick review.

Bonta's poem circles around a harvest moon that can barely be seen, and the speaker seems to mourn that loss. The opening images are odd and tender: a ravaged ladder, a house of straw, a fetus's fine hair, God's thumbprint. They suggest something fragile and half-finished, perhaps the moon, perhaps the season itself.

Then modern spectacle pushes in. Rock concert fog, feedback, and spotlights crowd out quiet. The image of cormorants in choke collars, unable to swallow even "the ghost of a fish," stands out. It suggests creatures made to work but denied any reward, which may reflect how we treat the harvest, or the night.

The poem also sets bright stage lights against bright white tombstones, implying that too much glare leaves no room for poetry or rest. By the end, the speaker says you must drive an hour to find real darkness. The closing "poor moon / poor harvest" is quietly sad, almost like a shrug. The mood is wistful, a little wry, and tinged with grief.

Read also

More by Dave Bonta

All poems
ContemplativeDave Bonta

Plea bargain

I hear half a beat of drum to serve time have half a hope in the meantime praise God
DreamyDave Bonta

Cibola 3

I awake in the dark and shake free of sheets & blankets, of down-filled quilt. The rituals of waking– the long, hot shower, the coffee–give
ContemplativeDave Bonta

In good light

On a maple’s pale bark, a zigzag ladder—old tooth-marks from a wandering snail? Green islands of moss