Adirondack haiku — Summary

Dave BontaContemplative

At dawn in the campground, “The Sound of Music” on a flute. I’m plotting murder.

Squatting to pluck puffballs from a stump, her raincoat pale in the dark woods.

Never mind how you got here. Just sit, O glacial erratic.

At the back of the store, a free view of the stormy lake moving three ways at once.

Not far from John Brown’s grave, a state prison looms above the larch.

When I open the Adirondack pages of my notebook, two grains of sand fall out.

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Dave Bonta's six short haiku read like entries from a travel notebook, each catching a moment of a trip to the Adirondacks. The tone shifts from one to the next. The first is funny: a flute playing "The Sound of Music" at dawn is enough to make the speaker joke about murder. Then the mood turns quieter and stranger. A woman crouches in the dark woods, her raincoat pale, gathering puffballs, and the picture feels half real, half ghostly.

The third addresses a "glacial erratic," a boulder left behind by ice, and tells it to rest. It's a gentle joke, and it also seems to be about the speaker's own sense of being out of place. The stormy lake "moving three ways at once" shows nature as restless and unpredictable, while the state prison looming over the larch trees adds something heavy and human to the landscape. The final haiku ends softly: two grains of sand fall from the notebook, small physical proof that the place has stayed with the speaker.

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