The speaker plays at being a set designer, arranging a still life piece by piece. He starts by mocking the idea that life could ever be anything but busy and in full swing, then sets out to build a picture of calm anyway: a bucket of ice, a bowl of fake fruit, a hotel suite in Japan. The setting is shabby but spotless, a seaside resort slipping into hard times, with gaps in the guest register and no heat in the hall. Yet everything sits exactly where it belongs.
The mood is quiet, wistful and a little playful. The speaker seems to enjoy the "genteel poverty" of the room, and the faint hum in the background sounds as melancholy as crickets in autumn. At the centre is the saxophone, an instrument tied to movement and sound, now resting in the corner "like a golden carp." The last lines suggest that stillness isn't total: the room seems to wait for a missing shoe to start tapping.