Ceiling snakes — Summary

The night that a pair of mating milk snakes drops out of the ceiling, I do not dream of snakes. I dream of mating, and of breaking through the crust of the earth and discovering another world filled with an unnatural light. I dream of inescapable stairs verging on a cliff-face to which I cling like a wingless fly. When I wake, it’s still humid, if no longer hot, and a wood thrush sings at the edge of the woods, where wood thrushes always sing: one part joy, two parts longing. I find my notebook from the night before, what I’d been writing when I heard a noise in the kitchen and set it down (some writer!) to grab the video camera. Picking at a scab, it says, and worry beads. I’m sure I had something in mind, but I don’t know what. The snakes were beautiful, and if I hadn’t known better, I might’ve thought from their configuration that they were one snake with a head at both ends, curious but calm as milk snakes always seem to be. If they’d stayed longer I might’ve stood beneath them and offered the use of my body as a steep set of stairs. But the ceiling or their unfinished business called them back, and up they went.

night kitchen feeling in the dark to pour a glass of milk

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A strange visitation in a quiet house: two mating milk snakes fall from the ceiling, and the speaker, instead of dreaming about them, dreams of mating, of breaking into another world, and of clinging to a cliff. The snakes seem to have slipped into the dream's mood without ever appearing in it directly.

The tone is calm and a little wry. The speaker mocks himself ("some writer!") for abandoning his notebook to grab a camera, and he can't recall what his scribbled words, "picking at a scab" and "worry beads," were meant to lead to. Against that muddle, the snakes seem almost graceful, curious but calm. The wood thrush's song, "one part joy, two parts longing," sums up the feeling underneath: wonder mixed with a wish for something just out of reach. The speaker even imagines offering his body as stairs, a hint of openness to the wild. Then the snakes go back up, and the closing haiku, with its glass of milk poured in the dark, leaves a quiet, groping, half-awake feeling.

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