Lullaby — Summary

Dave BontaContemplative

Dance, house. White as a corpse in moonlight, in sunlight white as a small hill of salt. Dance in your wig of rain streaming from the eaves. We who pass through you, who sleep under your asphalt-shingled hat are little more than ghosts. The earth might move or it might not, but thunder comes knocking almost every day in the summer. How long can you sit while the moon circles like a madman & flowers fade? You don’t have forever, that sterile seed. Somewhere on the other side of the world, with nothing but water beneath it, a white sail rocks.

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The speaker addresses a house as if it were a living thing, telling it to dance. The house shifts through images: pale as a corpse under the moon, bright as a pile of salt in the sun, wearing a "wig of rain" that streams from the eaves. Against this playfulness sits a darker idea. The people who live inside it, the speaker says, are "little more than ghosts," passing through something that will outlast them, at least for a while.

Even the house, though, is not permanent. The speaker asks how long it can keep sitting there while the moon circles "like a madman" and flowers fade, and calls it a "sterile seed" that doesn't have forever. The mood is tender but uneasy, a lullaby that comforts and warns at once. The last image, a white sail rocking over open water far away, feels like a quiet release: something small, mobile, and free, set against the stillness of the house.

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