Another Good Question — Summary

Dave BontaContemplative

A good question never satisfies the way one might expect. It’s not like a conviction. There’s no warm glow of satisfaction. Everyone tells you, That’s a good question! But they don’t know how it torments you in secret with its indifference and its perplexing transformations. Living with the questions is like living with a house full of cats. Wouldn’t you rather have an uninterrupted sleep? Wouldn’t you rather be numb? Sure you would. But getting there involves a brief and jarring realignment of molecules, a hot iron fry pan going into the water, that squeal no real voice can begin to answer.

What makes a good question “good”? Why doesn’t it ever satisfy, the way a conviction does? Why doesn’t it impart an incandescent glow & draw lost moths to its semblance of a moon?

Why do people say “That’s a good question” instead of simply admitting “I don’t know”? Why does one good question turn into so many others the closer you get? Why can’t it stay round & whole?

When a theologian advocates living with the questions, should we presume he has a house full of cats? And is it wrong to prefer an uninterrupted sleep? What if all the best questions led only to despair?

But how can we rid ourselves of them without a jarring realignment of molecules, like a hot iron fry pan going into the water? And how do you answer that brief, inhuman squeal?

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Dave Bonta's "Another Good Question" is about how unsettling a truly good question can be. We expect questions to end in satisfaction, a warm glow like the one a firm conviction gives. Instead, the speaker finds that a good question keeps nagging, changes shape as you approach it, and never stays "round & whole." Even the polite phrase "That's a good question" feels like a dodge, a way of avoiding "I don't know."

The speaker sounds weary, wry, and a little desperate. Living with questions is compared to living with a house full of cats, which is funny but also suggests constant disturbance. The wish for uninterrupted sleep, even for numbness, feels honest. The sharpest image is the hot iron pan plunged into water, with its sudden, inhuman squeal. It suggests that escaping the questions would be violent, and that no answer could match that cry.

The prose paragraph is then reworked as a series of questions, so the poem ends up doing what it describes: it keeps asking and never settles.

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