Ghazal — Summary

Dave BontaCheerful

The little boy with hemophilia speaks in a whisper, they said.

The female traffic cop was too attractive. People kept stopping to ask directions, I said.

While you were picking berries behind the house, a bear walked down the driveway, they said.

A tanager, an oriole & a goldfinch, all males, in a single tree at dusk: three flames, I said.

In Newfoundland’s only remaining ancient forest, the trees are six inches tall, they said.

We stopped on the way home from D.C. to read a historical marker for the Shadow of Death, I said.

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Each couplet in this poem hands us a small, odd fragment of the world, and each ends by saying who said it: "they said" or "I said." Nothing connects them in the usual way. A hemophiliac boy who whispers, a traffic cop too attractive to work, a bear in the driveway, three bright birds in one tree, a forest of six-inch trees, a historical marker with a grim name. It feels like a handful of things collected from overheard talk and one's own days.

The speaker seems less interested in explaining than in noticing. Some details are tender, like the whispering boy, and some are funny or eerie. The line about the birds as "three flames" is the most openly beautiful moment. The tiny ancient trees and the "Shadow of Death" marker bring in age, fragility, and mortality. The mood is quiet, curious, and a little wry, as though life is made of surprising reports we trade with each other.

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