Siphonophore — Summary

Dave BontaContemplative

Three thousand feet down where an unmanned vehicle probes the ocean like an endoscope, a sudden carnival float ripples into view: Siphonophore! The scientists all rotate toward the monitor, open-mouthed as shepherds at the hush of wings not grown for any air we know. Siphonophore. Free of all hard parts, including that nugget the self. Corporate being whose members are truly members— co-dependent, specialized as organs in a body, most made of clear gelatinous tissue through which, lurid as a sunrise, the digestive apparatus winds. Some species can reach 130 feet in length. They glow blue or green when disturbed— or fly to pieces, some so delicate a cone of light alone can shatter them. They’re almost impossible to collect. What do they tell us, these prodigies whose motion is a music, weightless & translucent as the dreams of birds? That life is a conversation matter is having with itself? That cooperation at the highest level is indistinguishable from genius? All are predators. Their apparitional tentilla wave or glow to lure prey—those so foolish as to possess central nervous systems—into the range of poisonous harpoons.

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The poem begins with a discovery. A remotely operated vehicle, three thousand feet down, finds a siphonophore, and the scientists watching the monitor are stunned into silence. The speaker shares their awe. The creature is described in extravagant images: a carnival float, a thing with "wings" for no air we know, a body of clear tissue where the digestive system glows "lurid as a sunrise." What fascinates the speaker most is that it has no single self. It is a colony whose parts work like organs in one body.

The poem then asks what such a being might tell us. Is life matter talking to itself? Is cooperation a kind of genius? These questions feel sincere and a little dreamy. Then the ending turns sharply. "All are predators," and their beautiful glowing tentacles are lures for prey with "central nervous systems," meaning creatures like us. The mood moves from hushed wonder to a cool, slightly wry chill, as if beauty and danger are the same thing here.

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