Boneyard Dogs — Summary

How does one lay out a dog for burial? Do it wrong and its ghost will circle endlessly, unable to lie down.

Live dogs aren’t permitted in the cemetery. We look for their stone snouts among the angels.

Has anyone considered that dogs may not want us with them in heaven? That we would frighten the wolves?

A cemetery is the last refuge of invisible friends. Here’s someone with a map to celebrity gravesites.

Trees at Highgate need not fear the lifted hind leg. They go wild, permitted every extravagance except death.

I write these notes six weeks later in a silence greater than any in all London, sitting in the darkness, trusting my faithful pen to find the way.

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The poem wanders through a cemetery, and the speaker's thoughts keep circling back to dogs. It opens with a strange, tender question about how to lay a dog out properly for burial, as if a mistake could leave its ghost restless. Dogs aren't allowed inside, so the speaker looks for them in stone, finding "snouts among the angels." Then comes a surprising thought: maybe dogs don't want humans with them in heaven, since we might frighten the wolves.

The tone shifts between playful and sombre. The cemetery is called a refuge for "invisible friends," and the trees at Highgate seem almost joyful, free to grow wild and be as extravagant as they like, everything except dying. The ending turns inward. The speaker writes weeks later, in deep silence, trusting the pen to find its way in the dark. The mood is quiet, curious, and a little grief-touched, though the poem never says outright what is being mourned.

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