Like Sugar — Summary

My computer is haunted.

The city melts like sugar.

There is no option but to stop doing everything and listen.

The voice.

Impossible not to shiver when her voice is here,

right now, so clearly, so present and close.

Sylvia Plath, forever alive not on her poems

on the printed page,

but on the recording,

on the always-present-continuous of her voice.

How can one long for someone one never met?

Someone one has only read?

How can one snap out of it,

as if nothing had happened, when listening to her,

so here?

Nobody can tell what I lack.

The recorded voice brings the dead back.

It makes them live again, as if they had never left.

My computer is haunted.

The ghost of a leaf, ghost of a bird.

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The speaker is at a computer, listening to a recording of Sylvia Plath's voice, and the experience stops everything else. The opening claim, "My computer is haunted," is half joke and half truth: the machine has become a place where the dead can speak. The line about the city melting like sugar makes the world feel soft and unreal while the voice stays sharp and close.

What moves the speaker most is the strange intimacy. Plath is known to them through reading, yet the recording makes her feel "so here," alive in a continuous present rather than fixed on the page. That leaves a question with no easy answer: how can you long for someone you never met? The speaker shivers and cannot simply shrug it off.

The mood is quiet, awed and a little unsettled. The closing image, "the ghost of a leaf, ghost of a bird," suggests that recorded sound keeps even small, fleeting things almost alive, which is both comforting and eerie.

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