Verbal Countries (Reprise) — Summary

Ernesto PriegoContemplative

and I wonder, in what language am I supposed to express this passage?

(what is the pre-position needed for this question?)

because if we use lower letters except of course for the first person, is it because we dread

magnitudes, the grand eloquence of conquerors and pirates? it goes without saying that we no longer know,

no longer know what language we are speaking, like wee hours banter, drunken conversations with strangers.

“where are you from originally?” we learn to ask, here, visa stamped on green paper skin.

no Book of English As a Foreign Language teaches you the meaning of Coming From Originally, nor the tactful fear of offending.

where I was from people ask de dónde eres, and those who left forever dream with coming back or endlessly talk about the smells

of kitchens and the stories of grandmothers whose skies were bluer and of course their gardens greener, but for some reason they (we?) are now here, a mix of accents,

skin colors, hair styles and expectations. But being all together does not mean we are equal, united, sympathetic. we rub against each other like shaken atoms, excited and displaced.

we are concerned with explosions.

in what language do I dream about this laboratory of human interaction, in what language does the bleeding heart remember to forget?

¿con qué lengua puedo hacer estas preguntas?

what is the pre-position needed for this question?

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The speaker is living in a place where English is not their first language, and the poem keeps circling one worry: which language can actually carry what they feel? It starts with a grammar question, the "pre-position" needed, which also hints at being put in a position before one has even spoken. The speaker notices small things, like lowercase letters and the cautious way people ask "where are you from originally?", and shows how awkward and loaded that question can be.

Other immigrants appear too, missing the smells of kitchens and the greener gardens of memory. But the poem refuses to romanticize them. Being together in one place doesn't make people equal or friendly; they "rub against each other like shaken atoms."

The mood is reflective, uneasy, and a little wistful. Switching into Spanish near the end shows the speaker's divided state. The poem closes by repeating its opening question, leaving it unanswered.

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