Twisted form — Summary

Francis ScudellariMonday, October 13, 2008Dreamy

A twisted form, ever (Love re-emerging) It crawls out-in my mind's (Or, more artful: heart's) Open-fielded vision

Serpentine in nature (But surely no snake) Its knotted quiet slides, (Less kindly: slithers) Cooling all it touches

Each up-down feathered scale (One-thousand facets) A rainbow-capped smile (My sadness turned round) To oft-questioned answers

Its mid-section's bulging (Perhaps new-fed full) Tapers to sleek-lined necks, (Indistinct ending) Each locked in screw-thread spin

As its twin mouths belch up (Inky vapor's coil) A trailing music's script, (Beats, no melody) Out-cast spells, spiral hymns

Of near-wordless seeming, (Slippery to touch) Drip down in a green ooze (Clinging, it passes) Through my tightly clutched hands

Their meaning only caught (Now, from a distance) With reading-drowsy eye (Long-ago embarked) Toward sleep's final dream

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Francis Scudellari's poem gives love a strange body: a twisted, snake-like creature that crawls into the speaker's mind, or, as the speaker corrects himself, his heart. The parenthetical asides work like second thoughts. The speaker keeps revising his own description, choosing between "slides" and "slithers," or between "kindly" and less kind words. That hesitation suggests he feels both drawn to this creature and uneasy about it.

The creature is cool, quiet, and beautiful, with feathered scales and a "rainbow-capped smile." Yet it also seems a little grotesque, with its bulging middle and twin necks that belch vapor. What comes out is a kind of music or writing, "spells" and "spiral hymns" that are almost wordless. The speaker tries to hold onto it, but it oozes through his clutched hands. Only from a distance, drowsy and close to sleep, does he catch its meaning.

The mood is dreamlike, wary, and quietly wistful. Love here feels beautiful but impossible to grasp.

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