lonesome blood doesn't move — Summary

Francis ScudellariWednesday, January 16, 2013Sad

lonesome doesn't move, it clings to time-tapered tree limbs, to grey sidewalks refreshed with a white snow, and to the blood red brick walls overlooking them, but not overlooking what went past, no, not overlooking what passed as a life, a life that went speeding past them, with no quiet moments to take a breath or to sit within them;

the past didn't go the way she wanted it, the way we'll see it, not the way the blood red brick walls wanted to feel it,

but the bricks hold it, with tree limbs, with walks, and they hold her, and they offer her, still lonesome, Hattie, stilled by blood, here to me,

and she comes to me, no, not her, but the thought of her still blood, and when I take her, or the thought of her, I take it away, a little of our lonesomeness, the blood

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Loneliness in this poem isn't something that travels. It stays put, clinging to bare tree limbs, grey sidewalks dusted with fresh snow, and red brick walls. The speaker suggests a whole life has rushed past these places, a life with no quiet moment to stop and breathe. It didn't turn out the way the woman wanted, or the way the walls "wanted to feel it."

That woman is named Hattie, and the speaker seems to know her only through the place and the thought of her. The bricks, branches and walks hold her memory and offer it to him. He corrects himself, saying it isn't really her who comes, just the idea of her "still blood." Still, when he takes in that thought, he carries off a little of the loneliness they share.

The mood is quiet, wintry and tender. The repeated "blood red" and the final "blood" link sadness, life and death, while the slow, halting lines feel like someone pausing to remember.

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