When life gives you lemons, take the hat — Summary

Francis ScudellariSaturday, March 12, 2011Cheerful

The sit down is a stew. It’s a slow stew on the stool. What’s with this song?

This song. It’s been been played too much, too much to the point to the point it’s not just lost it’s not just lost, it’s oblivious to oblivious to whatever appeal to whatever appeal it had. Once.

Once. It appalls him. Appalls. Is that too strong a word? Permit me to say no. Permission granted. No. May he? He may. He might win back its appeal with few subtle changes. Might he? Let’s see. Let’s.

“Let bits flee, let bits flee where there’ll be no answers.” It’s funny – funny strange – how he made the cliché more, more absurdly clichéd. And it’s funny... funny. How? Funny how after all this time nothing’s changed but the faces – theirs not his. His was always the clown’s... odd.

Oddly, time didn’t stop, but it did make a loop. Time looped in slot-machine cherry, orange and lemon. It whirred by and it doesn’t stop, not even when their faces blur. They aren’t even faces now.

Now? What are they? They’re blurs, blurs nothing more nothing more than blurs, and what’s funny what’s funny strange is so so is he. A blur.

A blur and nothing more nothing more than a blur until until he picks up the hat.

He picks up the hat the hat he didn’t wear here he didn’t wear it here but he’ll take it he’ll take it with him he’ll take the hat with him when he goes when he goes now. Now. He’s gone.

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A man sits on a stool, bored and uneasy, listening to a song that has been played so often it has lost whatever charm it once had. The poem's own language mimics this wearing-out: lines keep repeating their last words in the next line, as if the poem were stuck in a groove, too. He is appalled by the song, and he wonders if he could fix it with a few small changes, but the attempt only makes the cliché sillier.

Time feels like a slot machine, spinning cherry, orange, lemon, until the people around him blur into nothing, and he becomes a blur too. The speaker seems to feel a dry, tired amusement, with a little sadness underneath. The mood is flat and trapped, almost hypnotic. Then the pace changes. He picks up the hat he never wore there and leaves. The title hints at the idea: when life hands you sour things, you take something and go. The exit feels quiet, sudden, and a bit like relief.

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