This moment, and that next — Summary

Francis ScudellariWednesday, June 20, 2012Inspired

This moment right here (and this one right after it) is (or it was, and they are, or were) big-belly, ready-to-drop- everything, and run-the-red-lights pregnant.

No, not with any oh- so very vaguely named possibility (you know, or don’t know, the one), but with a very real if possibly uncatchable beauty – all the impossibly cerulean lizards, lavender jays and cobalt butterflies we never chase.

It’s (they’re) giving birth (or gave it) again, not to anything we’ll possibly notice, but to all of this (impossible to name) loveliness – one plucked chartreuse leaf fluttering down to the chocolate ground where it will stay, whether or not (looking forward or back) we bother to see it.

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Scudellari takes an ordinary phrase, "this moment," and treats it as something swollen with life. The speaker calls each passing instant "pregnant," and the language is deliberately breathless: "ready-to-drop-everything" and "run-the-red-lights" make it sound like a rush to the hospital. The surprise is what the moment is carrying. It isn't some vague, grand "possibility," but real, concrete beauty: blue lizards, lavender jays, cobalt butterflies.

The speaker's feeling is a gentle mix of wonder and regret. Those creatures are things "we never chase," and the poem keeps admitting that we probably won't notice what's being born. The parenthetical asides, with their shifting tenses, show how fast a moment slips from "is" to "was." The ending is quietly beautiful: a single chartreuse leaf drops to the chocolate-colored ground and stays there, seen or not. The mood is playful, tender and a little wistful, nudging us to look up before the moment passes.

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