Alas — Summary

– Spread your sandy voice over me, under me The branch is crushing my body

Black mulberries are crushing her body Those chanting hoo, hoo are crushing her body Salt is crushing her body Fever is crushing her body

– Sprinkle your sandy voice over me, under me The road is crushing my body

Quinces are crushing her body Those chanting ah, ah are crushing her body Breeze is crushing her body Stealth is crushing her body

– Scatter your sandy voice over me, under me The hand is crushing my body

Reeds are crushing her body Those chanting hey, hey are crushing her body Anguish is crushing her body Sweat is crushing her body

– Floundering in your sandy voice above and below The flood is crushing my body.

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Two voices alternate here. One speaks in the first person, begging a "sandy voice" to cover her, above and below, while something presses down on her body: a branch, a road, a hand, finally a flood. The other voice, in the third person, seems to list what is crushing "her" in the same moment, and it is a strange mix of things: mulberries, quinces, reeds, salt, fever, stealth, anguish, sweat. Natural fruit and plants sit beside bodily and emotional states, so the pain feels both physical and inward.

The chanting "hoo, hoo," "ah, ah," and "hey, hey" sounds like mourning, or perhaps ritual, and the title "Alas" fits that. The speaker seems to want the voice as comfort, yet by the end she is "floundering" in it, as if what she asked for has become another drowning. The mood is hypnotic and suffocating. The repetition builds like a spell or a lament, and the pressure grows from a branch to a flood.

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