Eighty-Sixed — Summary

I don't see the danger in talking to a stranger only in knowing their name After the greeting there could be a meeting and so begins the pain Once you know them and they know you it's hard to let them go If this person would die, then you might cry hide away from wanting to know -

OTHERS because you're scared scared they won't be there when

you fall

Is it better to be alone than to have someone ring your phone and say "I won't be back" without a care?

"I've chosen a new path." Without a care!

It's a game of Russian roulette sooner or later someone will lose always setting yourself up for failure rejection never leaves you have to choose

choices, choices,choices can you get anywhere you want to go? Perhaps not.

Trust is a bullet, ready to be fired but everyone is eighty-sixed life is life, it can't be fixed

take a shot, no safety vest needed Risk is the only way your mind won't be depleted , how your heart will keep beating when love can be achieved

that is what i once believed

you've eighty-sixed me and there's no fixing failure

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Jay Mortimer's poem is about the fear of getting close to people, and what happens when that fear comes true. The speaker begins by saying strangers aren't the danger; knowing someone's name is. Once a person becomes familiar, losing them hurts, so the speaker imagines hiding from connection altogether. Then comes a bleak image of a phone call where someone coldly announces they've "chosen a new path," leaving without a care.

Love and trust are compared to Russian roulette and a bullet ready to be fired. Everyone, the speaker says, risks being "eighty-sixed," meaning thrown out or cut off. Still, the poem briefly argues that risk is the only way to keep your heart beating. That hope collapses in the final lines: "that is what i once believed." The speaker now addresses someone directly who has rejected them, and the ending sounds defeated.

The mood is anxious, then bitter and sad. The broken line breaks and scattered spacing, especially around "fall," make the speaker's unsteadiness visible on the page.

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