Falling — Summary

There are no songs for the burning child who falls and falls and falls. No spiel that doesn’t choke the throat or set adrift from a paper face, to spin and float in charcoal curls.

The burning child, he falls forever. He cannot be stopped or stalled, impossible to catch or save, he burns the voyeurs’ retinas to black suns. He labours in negative.

He takes and takes, and burns and burns, that child, all those he touches as he falls.

And in that time we may remain at finger stretch, or elect to turn our backs on the burning child, kneed our eye-sockets red. Whilst some

pause only to adjust the shutter speed.

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Jennie E Owen's "Falling" gives us a child who is on fire and falling, and never lands. The poem never says where he is or why, but the imagery of shutter speed, retinas, "negative" and a "paper face" suggests a photograph, the kind of image of suffering that people see in the news and can't forget. The child is stuck in that moment, "forever," beyond rescue.

The speaker seems horrified and also accusing. No song or speech can do justice to him, and looking at him leaves "black suns" burned into our eyes. Yet the poem points to how we respond: some of us stay close, some turn away, and some, in the last line, only "adjust the shutter speed," more concerned with capturing the scene than helping. The mood is bleak, urgent and uncomfortable. The short, repeated phrases ("falls and falls and falls") feel like a drumbeat, and the ending leaves us implicated as watchers.

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